The process is described as exaggerating the limitations of mechanical reproduction to strip the photograph of its polish in a startling and intense form.
Frosts visual work places common iconic images from advertising, entertainment, and politics into startling juxtapositions that are often confrontational and controversial.
The entirely non-symmetrical complex is designed to not look like a museum, with startling colours and angles, unusual spaces and unpredictable projections and textures.
