re·cord·ing [rɪˈkɔ:dɪŋ, 美 -ˈkɔ:rd-] 名词
1. recording no pl (process):
2. recording:
3. recording 经济 (in a register etc.):
4. recording 法律 (certification):
I. rec·ord 名词 [ˈrekɔ:d, 美 -ɚd]
1. record of attendance:
2. record no pl (past history):
3. record (music):
4. record 体育:
5. record 法律 (court report):
短语，惯用语:
II. rec·ord 形 [ˈrekɔ:d, 美 -ɚd] 不变的
III. rec·ord 动词 trans [rɪˈkɔ:d, 美 -ˈkɔ:rd] line breaks: re·cord
1. record (store):
2. record (register):
er·ror [ˈerəʳ, 美 -ɚ] 名词
1. error (mistake):
2. error (failure):
record 名词
- records ntpl
-
error 名词
record 名词 会计
-
- Beleg m
record 名词 金融
record 动词
error 名词
-
- Regelgröße (Differenz zwischen Ist- und Sollwert)
recording error VZÄHL, 问卷调查, 理论建模, 评价，评估
| I | record |
|---|---|
| you | record |
| he/she/it | records |
| we | record |
| you | record |
| they | record |
| I | recorded |
|---|---|
| you | recorded |
| he/she/it | recorded |
| we | recorded |
| you | recorded |
| they | recorded |
| I | have | recorded |
|---|---|---|
| you | have | recorded |
| he/she/it | has | recorded |
| we | have | recorded |
| you | have | recorded |
| they | have | recorded |
| I | had | recorded |
|---|---|---|
| you | had | recorded |
| he/she/it | had | recorded |
| we | had | recorded |
| you | had | recorded |
| they | had | recorded |
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单语范例（未经PONS编辑处理）
The year 969 is likely a recording error.
en.wikipedia.org Many land deeds had recording errors, some had been poorly surveyed, and natural changes to the shorelines affected many claims.
en.wikipedia.org He found the new recording practices refreshing, having other people collaborating in the writing and recording process.
en.wikipedia.org They went to meet her at the end of the concert and proposed her a trial recording session.
en.wikipedia.org His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space and paranormal electronic interference.
en.wikipedia.org 互联网提供的例句（未经PONS编辑处理）
[...]
www.oehmsclassics.de The creative and sensual penetration into the world of the music of Dimitri Shostakovich, the individual mastery and the talent of each of the individual members of this excellent ensemble allow this recording to be numbered amongst the best interpretations ever of the music of my father. more
[...][...]
Das schöpferisch sinnliche Eindringen in die Welt der Musik Schostakowitschs, die individuelle Meisterschaft und das Talent jedes Mitglieds dieses vortrefflichen Ensembles erlauben es, diese Aufnahme zu den besten Interpretationen der Musik meines Vaters überhaupt zu zählen. mehr
[...][...]
www.networkmedien.de The intimate charm of those old recordings, some with larger orchestras and choirs, is a fantastic complement to the more recent releases on which her warm, fully matured voice gives expression to the joie de vivre of the archipelago in a touchingly poignant way.
[...][...]
Der intime Charme dieser alten Aufnahmen, teils mit größeren Orchestern und Chören eingespielt, passt fantastisch zu den jüngeren Veröffentlichungen, bei denen ihre warme Stimme voll ausgereift ist und das Lebensgefühl dieses Archipels auf rührige und berührende Art zum Ausdruck bringt.
[...][...]
festival.shortfilm.com His vehicle for this is a screen made of silk that he manipulates in the course of the performance and on which images of traditional mourning ceremonies, mathematical formulas, weather recordings, decay and empty living spaces collide.
[...][...]
Als Vehikel zur Reise dorthin dient Nussbaum eine Leinwand aus Seide, die er im Laufe der Performance manipuliert und auf der er Bilder von traditionellen Trauerzeremonien, mathematische Formeln, Aufnahmen von Wetter, Zerfall und leeren Wohnräumen aufeinanderprallen lässt.
[...][...]
art-report.com To illustrate this link between the disappearance of the hand and the elimination of the eye work Farocki uses recordings from research, from film archives and advertising departments, which he in many ways, and each refers compares.
[...][...]
Zur Veranschaulichung dieses Zusammenhangs zwischen dem Verschwinden der Handarbeit und einer Abschaffung der Augen-Arbeit benutzt Farocki Aufnahmen aus Forschungseinrichtungen, aus Filmarchiven und aus Werbeabteilungen, die er in vielfältiger Weise aufeinander bezieht und miteinander vergleicht.
[...][...]
www.meyersound.de With this recording, we returned to what some may consider the 'old school' recording style, where musicians play together in the same room, and listeners can trust that they are hearing the performance at its fullest—nothing more, nothing less."
[...]
Mit dieser Aufnahme, sind wir zu dem zurückgekehrt, was manche vielleicht als Aufnahme der „alten Schule“ bezeichnen würden, bei der Musiker zusammen im gleichen Raum spielen und der Zuhörer sicher sein kann, dass er die Darbietung in ihrer Gänze erlebt, nicht mehr und nicht weniger."