He begins his rhythmic scansion with a 3-level label for all syllables, but goes much further by elaborating rules describing how contiguous syllables impinge upon each other.
Miller offers tour-de-force comparative readings... threading together the world-historical with the personal, poetics with the political, and wielding the instruments of scansion as deftly as a surgeon.
Some prosodists indicate only ictic (or, in rhythmic scansion, only stressed) syllables, but this is not ideal since the number, position, and character of non-ictic syllables is also metrically significant.
Rhyming stories are notoriously difficult to write, but here the scansion works and the rhyme (both internal and end rhymes) makes the story a delight to read out loud.