But more generally, the real excitement stems not from the teleological, verbal actualization of what is actually said, but in the intuition, at the enjambment, that something is coming.
I was left unsure, for instance, whether the enjambments (lines breaking partway through phrases) were always for artistic effect or sometimes just resorted to.
Enjambment is a line break in the middle of a sentence, phrase or clause, or one that offers internal (sub) text or rhythmically jars for added emphasis.
Enjambment tends to increase the pace of the poem, whereas end-stopped lines, which are lines that break on caesuras (pauses), emphasize these silences and slow the poem down.