From 2004 to 2007, they produced works from a massive commercial sound effects library, exploring the rhetorical and sculptural dimensions of these complex cultural archives.
Imitation in this sense is not copying but a creative process inspired by rhetorical theory whereby revered models are not only emulated but surpassed.
These people formed rhetorical public spheres that were based in discourse, not necessarily orderly discourse but any interactions whereby the interested public engages each other.