The conclusion is that a systematic ambivalence structures contemporary cultural representations of the globalised, technologically mediated, ethnically mixed, gender-aware world we now inhabit.
Like the present-day museum, the gallery showed contemporary craft objects and folk art and the restaurant featured a long list of ethnically-inspired omelettes.
Moreover, corruptibility, manipulabilty, underhandedness, cronyism, and incompetence are not culturally, geographically, regionally or ethnically specific.
