Neither in the selection of material nor in the performances does the show overstep into self-parody, as is often the case in other musical anthologies.
Practically all sequence dancers have a good sense of humour, and this is shown in the many self-parody leaflets which go round the dance halls in the public domain.
It's hard to discern whether the album was intended to be self-parody or mindless exploitation of what was then a hugely profitable sub-genre of rap music.
