Each episode is filmed to parody the movie styles of the 1970s with bad acting, jittery editing, horrible camerawork, and common 1970s slang and settings.
The nightmare is redeemed by the point of view, which, for all the unsparing candid camerawork and the harsh, inelegant photography, is emphatically humane.
In the gruesome sequences that dominate the second half, bodies are blown to pieces on every side while frantic camerawork and earsplitting sound design accentuate the disorientation and shock.
